From the masters of modern studio pottery such as Lucie Rie, Hans Coper, and Bernard Leach to the wildly abstract and experimental work of contemporary ceramists, the medium is having a moment among collectors of all levels.
Collector interest in ceramics has been on the rise in recent years. A significant signpost came with a Phillips and Maak Contemporary Ceramics auction from the collection of Dr. John Driscoll in November 2021. Its pre-sale mid-estimate of £2 million was exceeded by 228% and set 28 world auction records for works by the likes of Micheal Cardew, Hans Coper, and the celebrated Nigerian potter Ladi Kwali. The sale marked one of the most significant collections of contemporary ceramics to come to auction, and underscores much of the momentum for the medium today, seen most recently in a new auction record for Austrian artist Lucie Rie last November. On the primary market, this has similarly been observed, with galleries and fairs also noticing an uptick in interest.
Self-identity and storytelling are key themes of the works at Collect Fair this year, with highlights including the work of Matt Smith, represented by Cynthia Corbett Gallery; and Simon Dredge, represented by Alveston Fine Arts. Both artists experiment with clay techniques and with their queer identities.
Read the full article here: https://www.artsy.net/article/artsy-editorial-ceramics-market-moment
Move - A new collection of works by Matt Smith for Collect Art Fair 2024.
The vessels take The Grand Tour as their starting point. They consider the movement of people, and the ability to move. They provide a container within which to bring with you what you need to survive and thrive, as well as acting as a holding place for the sense of self brought with you from where you came.
Their title refers not only to physical movement, but also the generation of affect - the emotional responses of care and empathy that are needed to create a safe landing when people become displaced.
They draw on ideas of queer temporality - examining queer ways to think about history, space, relationships, notions of success and the need to move out of traditional family situations into new spaces.
Trouble With History
The work is created from a found, vintage, needlepoint which is unpicked and restitched by the artist. Based on paintings by known male artists, the needlepoints were originally produced for amateur, anonymous sewers to stitch. Idealised figures are presented in bucolic settings, their faces replaced by the artist with neutral repeating patterns which disturb the working of the image. By interrupting without substituting a definitive alternative narrative, the work leaves the reinterpretation open for the viewer, questioning the heterosexual constraints of such imagery and prompting a re-consideration of the sitters' skin colour and identity and questioning the viewer’s complacent acceptance of such imagery. Works from the series are held by the V&A, the Crafts Council, Brighton Museum and the National Museum of Northern Ireland.
Matt Smith is a multi award-winning artist based in Ireland and England. Acclaimed solo exhibitions include Losing Venus at the Pitt Rivers Museum, Flux: Parian Unpacked at the Fitzwilliam Museum, Who Owns History at Hove Museum and Queering the Museum at Birmingham Museum and Art Gallery. In 2015/16 he was artist in residence at the Victoria and Albert Museum in London. He holds a PhD from the University of Brighton and was Professor at Konstfack University, Stockholm.
In 2020 he was awarded the Brookfield Prize at Collect and the Contemporary Art Society acquired a body of his work for Brighton Museum and Art Gallery. His work is also held in the collections of the Victoria and Albert Museum, the Walker Art Gallery, Birmingham Museum and Art Gallery, National Museum of Scotland, National Museum of Northern Ireland and the Crafts Council collection.
Matt Smith is represented internationally by Cynthia Corbett Gallery and was the winner of the Young Masters Maylis Grand Ceramics Prize in 2014.
View Matt Smith's work here.
